Philippe Van Cauteren invited me in Ahlen to do something in the KunstVerein. The room was quite large with a low ceiling that referred to a landscape. It was at the beginning of my carreer and I had no material, nor the budget to fill it. Finally I've made an expo with 64 lightprojections on a blue & green painted wall. The projections referred to classic landscapes out of 7 different museum collections. The size and position of the horizon were exactly the same as in the original works. The blue key and green key landscape symbolized every possible landscape. In the middle of the room there was a pavillion with the image of all the paintings on scale 1:10 and an installation that reproduced the intensity of the daylight through a sensor.

   Stijn Cole

 

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Philippe Van Cauteren invited me in Ahlen to do something in the KunstVerein. The room was quite large with a low ceiling that referred to a landscape. It was at the beginning of my carreer and I had no material, nor the budget to fill it. Finally I've made an expo with 64 lightprojections on a blue & green painted wall. The projections referred to classic landscapes out of 7 different museum collections. The size and position of the horizon were exactly the same as in the original works. The blue key and green key landscape symbolized every possible landscape. In the middle of the room there was a pavillion with the image of all the paintings on scale 1:10 and an installation that reproduced the intensity of the daylight through a sensor.