In the beautiful, former monastery chapel of Haus der kunst Solothurn, I presented a series of existing works that had a more modest meaning in the context of the choir and the nave. The triptychs that were previously shown in Narbonne and in the Biennial of painting were given their initial meaning of altarpiece in this context. The waves in the choir received a stillness that they had never received before. The entire installation was dominated by the here and now and the transience of the moment and life.

   Stijn Cole